Roberto Rigolin F Lopes

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Dedekind said that for him a set was a closed bag with specific things in it which you couldn’t see and knew nothing about, except that they were distinct and really there. A few minutes passed. Cantor, immensely tall, flung out his arm toward the wild landscape: “A set,” he said, “I think of as an abyss.”
The Art of the Infinite: The Pleasures of Mathematics
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