we saw (§ 104), the final Renovation, already prefigured in the liturgy performed by Zarathustra, is anticipated in the rituals of the New Year (Nawrōz). The tradition ends by placing close to the New Year the three decisive events of the cosmic and human drama: the Creation, the revelation of the “Religion,” and the eschatological Renovation.66 But since the year is, figuratively, the totality of cosmic time, the last ten days of each year in a way anticipate the eschatological drama. It is the fabulous interval during which souls return to earth: one Yašt (13. 49–52) invokes the Fravashis,67
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