With this virtually fullblown appearance of filmic point of view, however, the Utopian overtones and intensities of desire are ever more faintly registered by the text; and the Utopian impulse itself, now reified, is driven back inside the monad, where it assumes the status of some merely psychological experience, private feeling, or relativized value.
Realism and thr novel turn the utolic desire into something to be scorned abd something that can only be experienced on a private, "monadic" level instead of a cultural desire.
