Lucas Chance

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Hence the bewildering fluidity of these narrative strings, in which human characters are ceaselessly transformed into animals or objects and back again; in which nothing like narrative “point of view,” let alone “identification” or “empathy” with this or that protagonist, emerges; in which not even the position of an individual storyteller or “sender” (destinataire) can be conceptualized without contradiction.
The Political Unconscious: Narrative as a Socially Symbolic Act
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