We had previously clung to a desperate alternative and insisted - each to himself - that the omnipresence of the five-pointed motifs meant only some cultural or religious exaltation of the Archaean natural object which had so patently embodied the quality of five-pointedness; as the decorative motifs of Minoan Crete exalted the sacred bull, those of Egypt the scarabaeus, those of Rome the wolf and the eagle, and those of various savage tribes some chosen totem animal.
