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And no one ever told me about the laziness of grief. Except at my job—where the machine seems to run on much as usual—I loathe the slightest effort.
Part of every misery is, so to speak, the misery’s shadow or reflection: the fact that you don’t merely suffer but have to keep on thinking about the fact that you suffer.
Her absence is like the sky, spread over everything.
It is hard to have patience with people who say ‘There is no death’ or ‘Death doesn’t matter’. There is death.
A noble hunger, long unsatisfied, met at last its proper food, and almost instantly the food was snatched away. Fate (or whatever it is) delights to produce a great capacity and then frustrate it.
Oh my dear, my dear, come back for one moment and drive that miserable phantom away. Oh God, God, why did you take such trouble to force this creature out of its shell if it is now doomed to crawl back—to be sucked back—into it?
You never know how much you really believe anything until its truth or falsehood becomes a matter of life and death to you.
Only a real risk tests the reality of a belief. Apparently the faith—I thought it faith—which enables me to pray for the other dead has seemed strong only because I have never really cared, not desperately, whether they existed or not. Yet I thought I did.
How do they know she is ‘at rest’. Why should the separation (if nothing else) which so agonizes the lover who is left behind be painless to the lover who departs?
If God’s goodness is inconsistent with hurting us, then either God is not good or there is no God: for in the only life we know He hurts us beyond our worst fears and beyond all we can imagine.
Time after time, when He seemed most gracious He was really preparing the next torture.
And grief still feels like fear. Perhaps, more strictly, like suspense. Or like waiting; just hanging about waiting for something to happen. It gives life a permanently provisional feeling. It doesn’t seem worth starting anything. I can’t settle down. I yawn, I fidget, I smoke too much. Up till this I always had too little time. Now there is nothing but time. Almost pure time, empty successiveness.
This is one of the things I’m afraid of. The agonies, the mad midnight moments, must, in the course of nature, die away. But what will follow? Just this apathy, this dead flatness? Will there come a time when I no longer ask why the world is like a mean street, because I shall take the squalor as normal? Does grief finally subside into boredom tinged by faint nausea?
I had been warned—I had warned myself—not to reckon on worldly happiness. We were even promised sufferings. They were part of the programme. We were even told ‘Blessed are they that mourn’ and I accepted it. I’ve got nothing that I hadn’t bargained for. Of course it is different when the thing happens to oneself, not to others, and in reality, not in imagination.
If I had really cared, as I thought I did, about the sorrows of the world, I should not have been so overwhelmed when my own sorrow came.
Apparently it’s like that. Your bid—for God or no God, for a good God or the Cosmic Sadist, for eternal life or nonentity—will not be serious if nothing much is staked on it. And you will never discover how serious it was until the stakes are raised horribly high; until you find that you are playing not for counters or for sixpences but for every penny you have in the world.
What is grief compared with physical pain? Whatever fools may say, the body can suffer twenty times more than the mind. The mind has always some power of evasion. At worst, the unbearable thought only comes back and back, but the physical pain can be absolutely continuous.
What sort of a lover am I to think so much about my affliction and so much less about hers? Even the insane call, ‘Come back’, is all for my own sake. I never even raised the question whether such a return, if it were possible, would be good for her. I want her back as an ingredient in the restoration of my past. Could I have wished her anything worse? Having got once through death, to come back and then, at some later date, have all her dying to do over again?
What does it matter how this grief of mine evolves or what I do with it? What does it matter how I remember her or whether I remember her at all? None of these alternatives will either ease or aggravate her past anguish.
And suddenly at the very moment when, so far, I mourned H. least, I remembered her best. Indeed it was something (almost) better than memory; an instantaneous, unanswerable impression. To say it was like a meeting would be going too far. Yet there was that in it which tempts one to use those words. It was as if the lifting of the sorrow removed a barrier.
And so, perhaps, with God. I have gradually been coming to feel that the door is no longer shut and bolted. Was it my own frantic need that slammed it in my face? The time when there is nothing at all in your soul except a cry for help may be just the time when God can’t give it: you are like the drowning man who can’t be helped because he clutches and grabs. Perhaps your own reiterated cries deafen you to the voice you hoped to hear.
I think I am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought, feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an arrow to the string; then I remember and have to lay the bow down.
Still, there’s no denying that in some sense I ‘feel better’, and with that comes at once a sort of shame, and a feeling that one is under a sort of obligation to cherish and foment and prolong one’s unhappiness.
For, as I have discovered, passionate grief does not link us with the dead but cuts us off from them.
All that (sometimes lifelong) ritual of sorrow—visiting graves, keeping anniversaries, leaving the empty bedroom exactly as ‘the departed’ used to keep it, mentioning the dead either not at all or always in a special voice, or even (like Queen Victoria) having the dead man’s clothes put out for dinner every evening—this was like mummification. It made the dead far more dead.
For me at any rate the programme is plain. I will turn to her 46 as often as possible in gladness. I will even salute her with a laugh. The less I mourn her the nearer I seem to her.
I thought I could describe a state; make a map of sorrow. Sorrow, however, turns out to be not a state but a process. It needs not a map but a history, and if I don’t stop writing that history at some quite arbitrary point, there’s no reason why I should ever stop. There is something new to be chronicled every day.
Once very near the end I said, ‘If you can—if it is allowed—come to me when I too am on my death bed.’ ‘Allowed!’ she said. ‘Heaven would have a job to hold me; and as for Hell, I’d break it into bits.’ She knew she was speaking a kind of mythological language, with even an element of comedy in it.

