I fished out the leather journal I’d bought at the market this spring. The first page was a sketch of Margot I’d drawn after witnessing a fight she’d had with Father. Her mouth was turned down, her face weathered and her eyes brimming with tears. It was a drawing I’d never show her. It was too real. Too raw. Margot didn’t like real or raw. The second page was a drawing of Mae in the training center. Her mouth was stretched wide in a scream, her hands fisted at her sides. Sometimes I wondered if she screamed because there was so much piled on her shoulders. Maybe she’d stop now that it had been
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