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Mother Nature is a brutal bitch, red in tooth and claw, who destroys what she creates. We live, he says, in a creation in which the routine activity for organisms is “tearing others apart with teeth of all types—biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one’s own organization, and then excreting with foul stench and gasses the residue.”
Every child borrows power from adults and creates a personality by introjecting the qualities of the godlike being.
simplification of needless intellectual complexity.
But it also makes for the slow disengagement of truths that help men get a grip on what is happening to them, that tell them where the problems really are.
heroism;
William James
“mankind’s common instinct for reality… has always held the world to be essentially a theatre for heroism.
we are hopelessly absorbed with ourselves. If we care about anyone it is usually ourselves first of all.
the unconscious does not know death or time: in man’s physiochemical, inner organic recesses he feels immortal.
The protoplasm itself harbors its own, nurtures itself against the world, against invasions of its integrity. It seems to enjoy its own pulsations, expanding into the world and ingesting pieces of it. If you took a blind and dumb organism and gave it self-consciousness and a name, if you made it stand out of nature and know consciously that it was unique, then you would have narcissism. In man, physiochemical identity and the sense of power and activity have become conscious.
man is not just a blind glob of idling protoplasm, but a creature with a name who lives in a world of symbols and dreams and not merely matter.
It is that they so openly express man’s tragic destiny: he must desperately justify himself as an object of primary value in the universe; he must stand out, be a hero, make the biggest possible contribution to world life, show that he counts more than anything or anyone else.
We disguise our struggle by piling up figures in a bank book to reflect privately our sense of heroic worth. Or by having only a little better home in the neighborhood, a bigger car, brighter children. But underneath throbs the ache of cosmic specialness, no matter how we mask it
The fact is that this is what society is and always has been: a symbolic action system, a structure of statuses and roles, customs and rules for behavior, designed to serve as a vehicle for earthly heroism.
It doesn’t matter whether the cultural hero-system is frankly magical, religious, and primitive or secular, scientific, and civilized. It is still a mythical hero-system in which people serve in order to earn a feeling of primary value, of cosmic specialness, of ultimate usefulness to creation, of unshakable meaning.
everything that man does is religious and heroic, and yet in danger of being fictitious and fallible.
to become conscious of what one is doing to earn his feeling of heroism is the main self-analytic problem of life.
our primate ancestors deferred to others who were extrapowerful and courageous and ignored those who were cowardly. Man has elevated animal courage into a cult.
And as we know today from the research into ancient myths and rituals, Christianity itself was a competitor with the mystery cults and won out—among other reasons—because it, too, featured a healer with supernatural powers who had risen from the dead.
All historical religions addressed themselves to this same problem of how to bear the end of life.
the child has no knowledge of death until about the age of three to five. How could he? It is too abstract an idea, too removed from his experience. He lives in a world that is full of living, acting things, responding to him, amusing him, feeding him. He doesn’t know what it means for life to disappear forever, nor theorize where it would go. Only gradually does he recognize that there is a thing called death that takes some people away forever;
early men who were most afraid were those who were most realistic about their situation in nature, and they passed on to their offspring a realism that had a high survival value.24 The result was the emergence of man as we know him: a hyperanxious animal who constantly invents reasons for anxiety even where there are none.
repression takes care of the complex symbol of death for most people.
claim that a concept is not present because it is repressed, you can’t lose; it is not a fair game, intellectually, because you always hold the trump card.
harmless noises other things are rumbling in the creature.
If the child has had a very favorable upbringing, it only serves all the better to hide the fear of death. After all, repression is made possible by the natural identification of the child with the powers of his parents. If he has been well cared for, identification comes easily and solidly, and his parents’ powerful triumph over death automatically becomes his.
man cuts out for himself a manageable world: he throws himself into action uncritically, unthinkingly. He accepts the cultural programming that turns his nose
where he is supposed to look; he doesn’t bite the world off in one piece as a giant would, but in small manageable pieces, as a beaver does.
This is why people have psychotic breaks when repression no longer works, when the forward momentum of activity is no longer possible.
two divergent positions on the fear of death. The “environmental” and the “innate” positions
philosophers talked about the core of man they referred to it as his “essence,” something fixed in his nature, deep down, some special quality or substance.
essence of man is really his paradoxical nature,
individuality within finitude
a creator with a mind that soars out to speculate about atoms and infinity, who can place himself imaginatively at a point in space and contemplate bemusedly his own planet. This immense expansion, this dexterity,
this ethereality, this self-consciousness gives to man literally the status of a small god in nature,
man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it.
Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.
“Men are so necessarily mad that not to be mad would amount to another form of madness.
prodigy in limbo.
Nature’s values are bodily values, human values are mental values,
it is obvious that man seeks to control the mysterious processes of nature as they manifest themselves within his own body.
all culture, all man’s creative life-ways, are in some basic part of them a fabricated protest against natural reality, a denial of the truth of the human condition, and an attempt to forget the pathetic creature that man is.
to fashion the sublime miracle of the human face, the mysterium tremendum of radiant feminine beauty, the veritable goddesses that beautiful women are; to bring this out of nothing, out of the void, and make it shine in noonday; to take such a miracle and put miracles again within it, deep in the mystery of eyes that peer out—the eye that gave even the dry Darwin a chill: to do all this, and to combine it with an anus that shits! It is too much. Nature mocks us, and poets live in torture.
emotions that he cannot yet organize.
symbols (freedom) and body (fate).
the reason man was so
naturally cowardly was that he felt he had no authority; and the reason he had no authority was in the very nature of the way the human animal is shaped: all our meanings are built into us from the outside, from our dealings with others.
As an animal organism man senses the kind of planet he has been put down on, the nightmarish, demonic frenzy in which nature has unleashed billions of individual organismic appetites of all kinds—not to mention earthquakes, meteors, and hurricanes, which seem to have their own hellish appetites.
the heart of the matter of psychotherapeutic rebirth when he said that the neurotic who has had
therapy is like a member of Alcoholics Anonymous: he can never take his cure for granted, and the best sign of the genuineness of that cure is that he lives with humility.

