He was increasingly detached from himself, viewing his absence of emotion with a disbelieving eye. It seemed suddenly there were two Cals. One, the public mourner, dealing with the business of death as propriety demanded, the other a coruscating critic of the first, calling the bluff of every cliché and empty gesture. It was Mad Mooney’s voice, this second: the scourge of liars and hypocrites. “You’re not real at all,” the poet would whisper. “Look at you! Sham that you are!”
