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The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century, by Steven Pinker

That’s why well-written prose puts object relative clauses in the passive voice, and difficult prose keeps them in the active voice, like this:

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The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century

The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century

by Steven Pinker

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