Claudia Putnam

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Reeder’s usual exasperating manner was not what it seemed. It had a natural context, a place where it was at home. It needed a second voice; it needed Naio. Without him, Reeder was like the first half of a joke that, lacking its second half, had become puzzling, meaningless, and on endless repetition, annoying.
The Language of Power (The Steerswoman, #4)
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