And here Taylor works with another important distinction: we can either inhabit the immanent frame as a “Jamesian open space”3 where we recognize the contestability of our take on things, and even feel the pull and tug and cross-pressure of the alternative; or we’ll fail to recognize that ours is a “take” and instead settle for “spin” — an overconfident “picture” within which we can’t imagine it being otherwise, and thus smugly dismiss those who disagree.
