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And when the first scream does tear through his throat, he knows it’s loud enough that everyone will hear it. But no one will come.
Norah doesn’t ask why. Because the look in the woman’s eyes tells her to cling to these last few minutes of not knowing like a life raft.
That’s the moment he loves most of all—even more than the blood. The moment of knowing.
Knowing that something very bad is about to happen. And that it’s too late to stop it.
Sometimes, Norah feels like her family members are living in different dimensions. Or maybe different circles of hell. She doesn’t feel abandoned. Or resentful. She just accepts that they can’t reach each other right now.
Norah tries to find the sadness. The grief. Even the anger she felt when she was looking at the Facebook event earlier. But it’s like trying to pull a too-big anchor aboard a too-small boat. It will capsize her, where the ocean will swallow her whole.
“Suffer Little Children.” The dark lyrics are strangely soothing. Three bodies have been found on the moors. Lesley Anne is dead. John is dead. Edward is dead—but not forgotten. Because wherever his soul has gone, his mother’s soul is there too.
But that feeling of staring into the dark and wondering if there’s danger lurking there, even just a little danger, will never get old. It’s the whole point of Halloween.
When you threw teenagers, sugar, and blood together, you had a legitimate nightmare on your hands under the best of circumstances.

