Warlock

by Oakley Hall

Rereading Warlock I found again the light I remembered, an afternoon brightness, a clarity that is, I think now, the essence of good realism. In an almost literal way it illuminated the characters. When it focused on individual lives it seemed to vary its distance from each character as though there existed a different extension of sympathy or a withholding of it for different individuals in the narrative. The light I guess I had recognized the first time as western light. Big Sky light. Realism, I had thought at that time. This is good realism. And I became aware of the skill, the strategy of placing one line upon the other.

H. Lawrence, a stranger in a strange land: But you have there the myth of the essential white American. All the other stuff, the love, the democracy, the floundering into lust are a sort of by play. The essential American soul is hard, isolate, stoic and a killer. It has never yet melted. Slotkin uses this citation to distinguish between the kinds of created mythologies America characteristically requires to “do what it has to do.” The good sheriff, a strong peaceful man; this is pop myth. The killer-stoic who lurks just below the surface of an essential collective consciousness is the real thing. No one realizes this better than Oakley Hall.

In the evocatively named town of Warlock (shades of Young Goodman Brown) the Apaches kill and die and are followed by the Mexicans who slaughter the gringo cowboys and are killed by them. The US Cavalry having helped decimate the Indians and Mexicans are now used against white labor by mine owners. The murderous cattle barons who made their own law in the Rattlesnake Valley are driven down and out. America, aspiring toward her self-generated pseudo-myths, remains a prisoner of her deepest true ones. —ROBERT STONE

“Here’s to money,” he said, not quite aloud. After a time you discovered that it was all that was important, because with it you could buy liquor and food, clothes and women, and make more money. Then, after a further time, you went on to discover that liquor was unnecessary and food unimportant, that you had all the clothes you could use and had had all the women you wanted, and there was only money left. After which there was still another discovery to be made. He had made that by now, too.

Laughter wrenched at him that he should be a hero to them now. They were jackasses and schoolboys; either they saw that the men who had been killed might have been themselves, which made their own miserable lives more precious and engendered gratitude for the increase of value, or else they imagined themselves doing the shooting—and killing made a fellow quite a man, it made his whisky taste better and gave him a brag with the tommies at the French Palace.

It is too bad that Blaisedell left so soon for Bright’s City and was not here to enjoy the luster of his feat in the Acme Corral while that luster remained intact. For within a week his triumph has become somewhat tarnished. Ah, the pure shine of a few moments of heroism, high courage, and derring-do! In its light we genuflect before the Hero, we bask in the warmth of his Deeds, we tout him, shout his praises, deify him, and, in short, make of him what no mortal man could ever be. We are a race of tradition-lovers in a new land, of king-reverers in a Republic, of hero-worshipers in a society of mundane get-and-spend. It is a Country and a Time where any bank clerk or common laborer can become a famous outlaw, where an outlaw can in a very short time be sainted in song and story into a Robin Hood, where a Frontier Model Excalibur can be drawn from the block at any gunshop for twenty dollars. Yet it is only one side of us, and we are cynical and envious too. As one half of our nature seeks to create heroes to worship, the other must ceaselessly attempt to cast them down and discover evidence of feet of clay, in order to label them as mere lucky fellows, or as villains-were-the-facts-but-known, and the eminent and great are ground between the millstones of envy, and reduced again to common size.

Men are wild, not wicked, said Rousseau, who knew not Warlock.

So are the witches burned, like coal, to warm us.

“But there is some left to raise a hand! There is some of us down valley not eat up with being townfolk and silver-crazy and afraid to breathe. When there is a man killed foul and unrighteous in the sight of God, there will be some to avenge his name. There is some left!” “Every man’s hand will be against you, Ike,” the judge said. “It is a battle you poor, dumb, ignorant, misled, die-hard fools have fought a million times and never won in the end, and I lost this leg beating you of it once before. Because times change, and will change, and are changing, Ike. If you will let them change like they are bound to do, why, they will change easy. But fight them like you do every time and they will change hard and grind you to dust like a millstone grinding.”

where I was a young fellow there was a statue out before the courthouse that was meant to represent justice. She had a sword that didn’t point at nobody, and a blindfold over her eyes, and scales that balanced. Maybe it was different with you Confederates. A good many of you I’ve seen I’ve thought it must’ve been a different statue of her you had down south. One that her sword always poked at you. One with no blindfold on her eyes, so you always thought she was looking straight at you. And her scales tipped against you, every time. For I have never seen such men to take her on and try to fight her. “And maybe with a fraud like that one you could win. But this here, now, is the United States of America, and it is my statue of justice that stands for here. You can cross swords with her till you die doing it, and you are always going to lose. Because back of her, standing right there behind her—or maybe pretty far back, like here in the territory—there is all the people. All the people, and when you set yourself against her, you are set against every one of us.”

One of his eyes was larger than the other, or, rather, differently shaped, and his nose looked like something that had been chewed out of hard wood with a dull knife. It was, in fact, very like the face of one of those rude Christos carved by a Mexican Indio with more passion than talent.

Men are like corn growing. The sun burns them up and the rain washes them out and the winter freezes them, and the cavalry tramps them down, but somehow they keep growing. And none of it matters a damn so long as the whisky holds out.”