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In books she could experience different realities and learn from the people in them.
Lewis gazed at the moon and then to Wren and once more at the moon and back to Wren, realizing, startlingly, he could not tell the two entities apart.
In this evanescent moment, the love of his life and the moon became indistinguishable from each other, casting everything Lewis feared about the future in the real but temporary light of goodness.
The surface of love was a feeling, but beyond this thin layer, there was a fathomless, winding maze of caverns offering many places to see and explore. Wren used to think romantic passion only grew more intense in the depths. But this belief was naive and impractical, a by-product of a certainty-obsessed culture that equates love with longing and views ambivalence as a fatal flaw. Wren saw now how passion was delicate and temporary, a visitor, a feeling that would come and go. Feelings fled under pressure; feelings did not light the darkness. What remained strong in the deep, the hard times,
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Lewis thought all children came into the world knowing some truth about magic and God. He thought the journey of adulthood was to forget about these things and then partake in the path to remembering. Lewis said one of the purposes of art was to point people toward what they already knew.
So, maybe love wasn’t an unwieldy accessory in times of peril. Maybe it was the key to survival.
The world is a big and small place, and life, a terrifying and sublime journey.