I knew then that she had no idea what she had written, no idea of how it would work in the play, how it would bridge the two versions of the character, the scene she had written was nothing more than a placeholder. She had grown bored of the character in the midst of writing, I realized, and wanted to write a different character, and so had created this impossible scene to segue between not two versions of the same character, but two different characters altogether. I could see it now, I could see it all over the writing.
