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Somebody was holding my shoulders, pulling me out of Marco’s Mercedes. I threw up on my dress. I wrenched out of the stranger’s grasp. I fell on my ass in the street. I kicked at the car with my still-clumsy limbs. I tried to struggle to my feet to gouge out Marco’s goddamned eyes—I keep my promises—but my body was a few seconds behind my commands.
Gus grabbed for Wash again, who was still too stunned to move. He just blinked at me, an expression more of curiosity than pain, like he was just really intrigued by the mystery of his own bashed-in head. I huddled up against Jezza, put both feet on Wash’s side, and shoved him out of the booth before Gus could get a grip on him. I rolled myself under the table right after, and hit the beer-soaked concrete with both elbows. It sent lightning bolts of pain up the long bones in my arms. “What do I do? What do I do?!” Jezza screeched from somewhere above. His voice cracked and wobbled. “Run,
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My brain refused to latch on to the images I had just seen. It did not process the limbs bent at broken angles. The viscera that used to be a girl with a teardrop tattoo. The smell of blood and cum and cocaine in the air. My mind went looking for logical explanations: This is Punk’d. This is Candid Camera. This is some kind of elaborate, high-budget prank somebody is pulling on me. I’m Michael Douglas in The Game. Somebody is The Game-ing me.
Why are we still doing this after watching broke neck Marco crabwalk up walls? Shouldn't Her disbelief be suspended already?