The Bone Clocks

by David Mitchell

“The Dusk follows you as you go through it. If it touches you, you cease to exist, so one wrong turn down a dead end, that’s the end of you. That’s why you have to learn the labyrinth by heart.”

“Men have imagined republics and principalities that never really existed at all. Yet the way men live is so far removed from the way they ought to live that anyone who abandons what ‘is’ for what ‘should be’ pursues his downfall rather than his preservation; for a man who strives after goodness in all his acts is sure to come to ruin, since there are so many men who are not good.”

Empires die, like all of us dancers in the strobe-lit dark. See how the light needs shadows. Look: Wrinkles spread like mildew over our peachy sheen; beat-by-beat-by-beat-by-beat-by-beat-by-beat, varicose veins worm through plucked calves; torsos and breasts fatten and sag; behold Brigadier Philby, French kissing with Mrs. Bolitho; as last year’s song hurtles into next year’s song and the year after that, and the dancers’ hairstyles frost, wither, and fall in irradiated tufts; cancer spatters inside this tarry lung, in that aging pancreas, in this aching bollock; DNA frays like wool, and down we tumble; a fall on the stairs, a heart attack, a stroke; not dancing but twitching. This is Club Walpurgis. They knew it in the Middle Ages. Life is a terminal illness.

‘I AM the daughter of Earth and Water,’ ” recites Lorelei, as we pass the old rusting electrical substation, “And the nursling of the Sky; I pass through the pores of the oceans and shores; I change, but I cannot die.”

“I silently laugh at my own cenotaph, And out of the caverns of rain, Like a child from the womb, like a ghost from the tomb, I arise and unbuild it again.”