Ruth Ann

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Ha was not the only one who was working full-tilt: Evrim, too, was at their own end of the table, surrounded by palimpscreen notes and three terminals, freeze-framing data, tilting their angular head at the screens, drawing out the patterns with a stylus in those long-fingered hands. Sometimes sharing an insight with Ha—but mostly, the two of them worked in their separate worlds.
The Mountain in the Sea
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