“You know what fucks with my head?” It must be a rhetorical question, because he continues: “You’re at ease with me. I don’t think you realize it, but you tend to move closer when others are around. Sometimes you look to me, for reassurance maybe. And we’re alone right now and there are no signs of distress, and—at some point you chose to trust me, and you get why that gets me going so hard, right?” His voice is a slow roll that starts in his chest, travels through our limbs, ends in the red of my cheeks, the spill between my legs.
AMIGA
