The cover of Shrier’s Irreversible Damage shows a white child with a hole where her uterus should be, really ramming home the gist of the book’s fertility panic. The commercial success of both, despite their eugenicist, queerphobic, mother-blaming bents, benefited from love shown them by North American feminists like Meghan Murphy and gender-critical hubs like FiLiA, among other TERF channels.
