Hitler: Ascent: 1889-1939

by Volker Ullrich

“Are we permitted to depict Hitler as a human being?” the German media asked in 2004 with the release of Bernd Eichinger’s film Downfall, which depicted the Führer, played by veteran actor Bruno Ganz, during his final days in the bunker in Berlin.42 The only answer is: not only are we permitted, we are obliged to. It is a huge mistake to assume that a criminal on the millennial scale of Hitler must have been a monster. Naturally it would be simpler to reduce him to a psychopath who used political action to realise his homicidal impulses. For a long time this tendency to demonise Hitler dominated historical research and prevented us from having a clear view of the actual man. In February 1947, from the isolation of his cell in Spandau prison, Albert Speer remarked on the growing tendency in post-Nazi German society “to depict Hitler as a carpet-chewing hotheaded dictator who blew his stack on the slightest of occasions.” Speer thought that was both wrong and dangerous, noting: “If there are no human characteristics in the picture of Hitler, if one ignores his power of persuasion, his winning qualities and the Austrian charm he was capable of displaying, one will never do justice to him as a phenomenon.”43 In the mid-1970s, after reading his memoirs, the film-maker Leni Riefenstahl wrote to Speer that, for her, the question remained: What was it about Hitler that allowed him to impress and indeed bewitch not just the German people, but many foreigners as well?…I can never fo...