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This meant that we could never practice writing solely for the craft itself, but must necessarily believe our practice to be in service of that larger emancipatory mandate.
To write like this, to imagine the enslaved, the colonized, the conquered as human beings has always been a political act. For Black writers it has been so often employed that it amounts to a tradition—one that I returned to that summer in Virginia with you. I think this tradition of writing, of drawing out a common humanity, is indispensable to our future, if only because what must be cultivated and cared for must first be seen.