We require another standard—one that sees the sharpening of our writing as the sharpening of our quality of light. And with that light we are charged with examining the stories we have been told, and how they undergird the politics we have accepted, and then telling new stories ourselves. The systems we oppose are systems of oppression, and thus inherently systems of cowardice. They work best in the dark, their essence tucked away and as unexamined as the great American pastime was once to me.