The Message
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Read between June 27 - July 6, 2025
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For you there can be no real distance between writing and politics.
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The goal is to haunt—to have them think about your words
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I lived in a house overflowing with language organized into books, most of them concerned with “the community,”
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was made clear to me that words could haunt not only in form, not only in their rhythm and roundness, but in their content.
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To write like this, to imagine the enslaved, the colonized, the conquered as human beings has always been a political act.
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this tradition of writing, of drawing out a common humanity, is indispensable to our future,
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You cannot act upon what you cannot see.
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the sharpening of our writing as the sharpening of our quality of light.
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It may seem strange that people who have already attained a position of power through violence invest so much time in justifying their plunder with words.
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a grand theory had to be crafted and an array of warrants produced, all of them rooted in a simple assertion of fact: The African was barely human at all.
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Ta-Nehisi,” a designation in Ancient Egyptian for the kingdom of Nubia, sometimes translated as “Land of the Blacks.”
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when the first of us were carried off. Entire worldviews, systems of study, political movements, wars, and literature were birthed by that one act.
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History is not inert but contains within it a story that implicates or justifies political order.
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A political order is premised not just on who can vote but on what they can vote for, which is to say on what can be imagined.
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books work when no one else is looking, mind-melding author and audience, forging an imagined world that only the reader can see. Their power is so intimate, so insidious,
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The danger we present, as writers, is not that we will simply convince their children of a different dogma but that we will convince them that they have the power to form their own.
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The cradle of material change is in our imagination and ideas.
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we have the burden of crafting new language and stories that allow people to imagine that new policies are possible.
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Novels, memoirs, paintings, sculptures, statues, monuments, films, miniseries, advertisements, and journalism all order our reality.
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The arts tell us what is possible and what is not, because, among other things, they tell us who is human and who is not.
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the way the bully pretends to be the victim to add virtue to his violence.
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to miseducate; not just to assure the right answers are memorized but that the wrong questions are never asked.
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Israel was revealing itself to be a country where no Palestinian is ever the equal of any Jewish person anywhere.
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it occurred to me that Israel had advanced beyond the Jim Crow South and segregated not just the pools and fountains but the water itself.
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I want to tell you that your oppression will not save you, that being a victim will not enlighten you, that it can just as easily deceive you.
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you are ultimately in their world and are thus compelled to speak to them through their symbols and stories.
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you can see the world and still never see the people in it.
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there always is a chorus of willing intellectuals to say calming words about benign or altruistic empires,
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Ancestors are important to me—they live on for me, not as ghosts but through words.
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it is the journalists themselves who are playing god—it is the journalists who decide which sides are legitimate
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When you are erased from the argument and purged from the narrative, you do not exist.
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the dialect of liberal expansionism—with its descriptions of barbaric natives and promises of the great improvements brought to the savages
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how hard it is to truly acknowledge your place in a system whose actions indict your conscience.
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“Even the great American democracy could not have been created without the annihilation of the Indians.”
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the country’s papers and magazines preferred writing about Palestinians to allowing Palestinians to write.
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An inhumane system demands inhumans, and so it produces them in stories, editorials, newscasts, movies, and television.
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If Palestinians are to be truly seen, it will be through stories woven by their own hands—not by their plunderers, not even by their comrades.