It is finished, if still partly unrevised, and is, I suppose, in a condition which a reader could read, if he did not wilt at the sight of it. As the estimate for typing a fair copy was in the neighbourhood of £100 (which I have not to spare), I was obliged to do nearly all myself. And now I look at it, the magnitude of the disaster is apparent to me. My work has escaped from my control, and I have produced a monster: an immensely long, complex, rather bitter, and very terrifying romance, quite unfit for children (if fit for anybody); and it is not really a sequel to The Hobbit, but to The
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