“I see a problem in that Kronos does everything so beautifully and with such control,” opined Blackburn. “Harry was kind of a messy guy. He wanted you to rape the instrument, or caress it, or fall on it, or miss the correct note as long as you did it with the right physicality and intent. But Kronos made it a pure-sounding kind of chamber piece. They took the teeth out of it a little bit, removed its bite.”
