Connect The Dots
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Kindle Notes & Highlights
Read between September 28 - October 27, 2017
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in what is a very rare honour, Titan even gave Abhijit his name on the back of every Heritage watch.
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Abhijit officially left Titan in October 2008, leaving behind a team of eight designers.
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He now runs ‘Abhijit Bansod Designs’ - or Studio ABD - a company specialising in product design and the ‘Indian story’.
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ABD has produced one iconic product: a tabl...
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From that point how do you bring out the ‘story’? Through everything, starting from the form.
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Then came the story of ‘Halo’. The lamp became the friend who comes to help you - so much so that it seems to be saying hello as it glows in the dark.
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It’s a marriage of technology and imagination - and amazingly, took just seven months to actually reach the market.
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“I got power from the MD to get what I wanted done. I had his complete trust and authority.”
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The result is stunning. The ‘Halo’ lamp* has got amazing reviews worldwide and a growing fan following.
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“It is wonderful to see that we are creating this community which is so bonded to something. That is why Apple is Apple and others are just products.”
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rendering
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“There is a belief that this ash should be disposed off only in a certain manner, so these rituals become systems and systems become products.”
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RFID technology
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“Our studio was in this small one BHK place earlier and I used to tell my wife, ‘Amrita, imagine if we get a place here - at Lakeview Farm.’
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dil se maango to mil jaata hai.”
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This could mean partnering with an entrepreneur who can sell your vision and market your products, because designers aren’t very good at that!
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but found his niche as a playwright and director on the Marathi stage.
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The man has reason to be pleased with himself. His first ever feature film Harishchandrachi Factory - made in Marathi, with no big stars, no songs, no dance - was India’s official entry to the Oscars for the year 2009.
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eccentric
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The father of Indian film making, Dadasaheb Phalke.
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Write your own script, and direct it with confidence.
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In 1990, Theatre Academy started collaborating with GRIPS Theatre, Berlin - a famous German theatre group which focuses on children.
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GRIPS does not believe in the typical fantasy, magic or raakshas type stories.
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Perhaps theatre can remain a hobby, bete, while you go get yourself a real job?
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I realised that I will not go far because I am not the kind of person who is successful in self promotion.
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contemporary
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“They came to the conclusion that at the root of every problem on this earth there is this divide between male and female.
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If we destroy this division everything will be fine. So how to do it?
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Let’s transform all males int...
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The idea for this black comedy came to Paresh from the daily reports of bomb blasts in Kashmir and Punjab at the time.
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The critics said, “Hamein to pasand tha but we never thought that even layman audience will love it!”
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One day two young boys - Santosh Kanekar and Abhijit Satap - came to Paresh.
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The producers made handsome profits, the cast and crew got their per-show royalties.
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Samudra was a ‘science fiction mystery’, based on the ancient tale of samudra manthan.
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Kind of like a ‘Da Vinci Code’ set in contemporary India.
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archaeological
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What part is imagination and what part is history. And the science mentioned in the books - how much is miracle, how much is actual science.”
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pastime,
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mun...
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In 4 hours I finished that book of 200 pages and decided right then and there to make my first ever feature film on this subject!”
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Archives
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budge.
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After waiting for three years, he decided to produce the film on his own. To do this, he mortgaged the house owned by his family in Dadar.
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Harishchandrachi Factory is the most expensive film ever made in Marathi, with a budget of T 4 crore.
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rave reviews.
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“Life is Beautiful can be called a comedy but at the same time it talked about how people dealt with life in a concentration camp - which is a serious subject!
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“I don’t do trial and error writing. I wait till the story and the characters reach a certain level of development in my head, and then start!”
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vie
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“I am not from any film school, nor have I ever even assisted anyone.
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Paresh knew how to make a good film, and how to make a bad film. And when he got his Big Idea, he took his chances.