How to Read Literature Like a Professor Revised: A Lively and Entertaining Guide to Reading Between the Lines
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The goal of education, as I see it, is to bring students to the point where they no longer need you—in essence, to put yourself out of a job . . . ​but that retirement would be a little more sudden than I’d prefer.
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Stories and novels have a very large set of conventions: types of characters, plot rhythms, chapter structures, point-of-view limitations. Poems have a great many of their own, involving form, structure, rhythm, rhyme. Plays, too.
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When an English professor reads, on the other hand, he will accept the affective response level of the story (we don’t mind a good cry when Little Nell dies), but a lot of his attention will be engaged by other elements of the novel. Where did that effect come from? Whom does this character resemble? Where have I seen this situation before? Didn’t Dante (or Chaucer, or Merle Haggard) say that? If you learn to ask these questions, to see literary texts through these glasses, you will read and understand literature in a new light, and it’ll become more rewarding and fun.
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in the real world, breaking bread together is an act of sharing and peace, since if you’re breaking bread you’re not breaking heads.
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Not all uses of religion are straight, of course. Many modern and postmodern texts are essentially ironic, in which the allusions to biblical sources are used not to heighten continuities between the religious tradition and the contemporary moment but to illustrate a disparity or disruption.
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Needless to say, such uses of irony can cause trouble.
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If I hear something going on in a text that seems to be beyond the scope of the story’s or poem’s immediate dimensions, if it resonates outside itself, I start looking for allusions to older and bigger texts.
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More often than not, particularly if the borrowing feels different in tone and weight from the rest of the prose, that somewhere is the Bible. Then it’s a matter of figuring out where and what it means.
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If you want topical resonance, current film or television may work fine, although the frame of reference as well as the staying power may be a little limited.
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(metonymy is the rhetorical device in which a thing is used to name another thing with which it is closely associated, as when “Washington” is used to represent the federal government’s position on an issue).
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We’re not trying to re-create the fairy tale here.
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we’re trying to make use of details or patterns, portions of some prior story (or, once you really start thinking like a professor, “prior text,” since everything is a text) to add depth and texture to your story, to bring out a theme, to lend irony to a statement, to play with readers’ deeply ingrained knowledge of fairy tales.