In 1950s Israel, the Sabra was the New Israeli Man: handsome, tough, physically strong, an ardent Zionist, upbeat, without fear, and unencumbered by the weakness of his ancestors. The Sabra, by definition Ashkenazi, from a generation that had come to Palestine before the Holocaust, had shed the shameful baggage of the old country. He had become, in essence, the Israeli embodiment of Ari Ben Canaan, Leon Uris's hero in Exodus. The Sabra was, in the words of one Israeli writer, "the elect son of the chosen people."
