Satanow, like countless comparable towns in Jewish eastern Europe, scarcely resembled the one-cow mudhole conjured by Anatevka, the Fiddler’s shtetl. But then Tevye the milkman and Anatevka with its ‘small mud huts’, ‘low and rickety’, their ‘roofs half buried in the ground’, a pathetic swarm of destitute Jews dwelling in dirt-poor streets, ‘packed together like herring in a barrel’, shut off from the Gentile world, except when visited by pogroms, was the picturesque fiction of Sholem Aleichem, composed at the end of the nineteenth century.4 Both he and the other great Yiddish bard of the
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