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February 26, 2023
As I carefully studied America’s racial past, I did not see a singular historical force arriving at a postracial America. I did not see a singular historical force becoming more covert and implicit over time. I did not see a singular historical force taking steps forward and backward on race. I saw two distinct historical forces. I saw a dual and dueling history of racial progress and the simultaneous progression of racism. I saw the antiracist force of equality and the racist force of inequality marching forward, progressing in rhetoric, in tactics, in policies.
My definition of a racist idea is a simple one: it is any concept that regards one racial group as inferior or superior to another racial group in any way.
Time and again, powerful and brilliant men and women have produced racist ideas in order to justify the racist policies of their era, in order to redirect the blame for their era’s racial disparities away from those policies and onto Black people.
Ignorance/hateracist ideasdiscrimination: this causal relationship is largely ahistorical. It has actually been the inverse relationship—racial discrimination led to racist ideas which led to ignorance and hate. Racial discriminationracist ideasignorance/hate: this is the causal relationship driving America’s history of race relations.
no racial group has ever had a monopoly on any type of human trait or gene—not now, not ever.
As dissenters from the Church of England, Puritans believed themselves to be God’s chosen piece of humanity, a special, superior people, and New England, their Israel, was to be their exceptional land.2
A common thread for elitism. Believing themselves (a group) to be the new Israelites of the time. Self labeling as the chosen superior peoples is a sign to run.
In studying Aristotle’s philosophy, Puritans learned rationales for human hierarchy, and they began to believe that some groups were superior to other groups.
Aristotle labeled Africans “burnt faces”—the original meaning in Greek of “Ethiopian”—and
“The deity gave liberty to all men, and nature created no one a slave,” wrote Alkidamas, Aristotle’s rival in Athens.
St. Augustine, an African church father in the fourth and fifth centuries, maintained that “whoever is born anywhere as a human being, that is, as a rational mortal creature, however strange he may appear to our senses in bodily form or colour or motion or utterance, or in any faculty, part or quality of his nature whatsoever, let no true believer have any doubt that such an individual is descended from the one man who was first created.”
In 1515, he departed for Spain, where he would conduct a lifelong campaign to ease the suffering of Native Americans, and, possibly more importantly—solve the settlers’ extreme labor shortage. In one of his first written pleas in 1516, Las Casas suggested importing enslaved Africans to replace the rapidly declining Native American laborers, a plea he made again two years later.
In History of the Indies (1561), released five years before his death, Las Casas regretted “the advice he gave the king” to import enslaved Africans. He saw in Zurara’s writing evidence revealing the slave trade to “be the horror that it is.” Las Casas lamented Zurara’s attempt “to blur [the slave trade] with the mercy and goodness of God.” Las Casas tried to close the door on African slavery, after opening it for so many Spanish slaveholders. He failed.
But veracity did not matter. Once the manuscript was finished in 1526, once it was published in Italian in 1550, and once it was translated into French and Latin in 1556, readers across Western Europe were consuming it and tying African people to hypersexuality, to animals, and to the lack of reason. It is not known what happened to Leo the African, the author of the most widely read and most influential book on Africa—next to Zurara’s—during the 1500s. He made countless Europeans feel that they knew him, or rather, knew Africa.
And it was Perkins’s claim of equal souls and unequal bodies that led Puritan preachers like Cotton and Mather to minister to African souls and not challenge the enslavement of their bodies.4
The racial politics of William Shakespeare’s Othello did not surprise English audiences when it premiered in 1604. By the late 1500s, English dramatists were used to manufacturing Satan’s Black agents on earth. Shakespeare’s first Black character, the evil, oversexed Aaron in Titus Andronicus, first came to the stage in 1594. Down in Spain, dramatists frequently staged Black people as cruel idiots in the genre called comedias de negros.7
Purchas blasted the “filthy sodomits, sleepers, ignorant, beast, disciples of Cham… to whom the blacke darknesse is reserved for ever.” These were the ideas about African people circulating throughout England and the English colonies as African people were being hauled into Britannia on slave ships.13
The existing rhetoric around a historical timeframe is important for properly framing the historical choices as cultural and civic purpose driven events, rather than only believing it to be "some mean hateful people did some mean disgraceful things".