Dylan Matthews

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a story by Eudora Welty, say, based on a recent assassination in Mississippi; or a book review by Dwight Macdonald of a study of poverty in America; or a tirade by James Baldwin about racial relations; or a series on urban development by Rachel Carson, will all actually acquire not just influence but a crucial element of their meaning from having appeared in a single publication.
GONE: The Last Days of The New Yorker
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