I was playing a character who’d been killed by a werewolf and haunts his best friend David in three stages of decomposition. The six hours I spent in the makeup chair was for the first stage, which showed the aftermath of the werewolf’s attack. When Rick had painted the final touches of fresh blood to the gaping wounds slashed across my face, I studied my appearance in the mirror and felt something darker than the simple keys of sadness, more an overwhelming grief for someone I didn’t know. The violence of Rick’s handiwork was so real, it was as if I were watching my corpse laid out on a
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