The Grapes of Wrath

by John Steinbeck

If a man owns a little property, that property is him, it’s part of him, and it’s like him. If he owns property only so he can walk on it and handle it and be sad when it isn’t doing well, and feel fine when the rain falls on it, that property is him, and some way he’s bigger because he owns it.

“Sometimes a sad man can talk the sadness right out through his mouth.

we was holy when we was one thing, an’ mankin’

holy when it was one thing. An’ it on’y got unholy when one mis’able little fella got the bit in his teeth an’ run off his own way, kickin’ an’ draggin’ an’ fightin’. Fella like that bust the holiness. But when they’re all workin’ together, not one fella for another fella, but one fella kind of harnessed to the whole shebang—that’s right, that’s holy. An’ then I got thinkin’ I don’t even know what I mean by holy.” He paused, but the bowed

when a horse stops work and goes into the barn there is a life and a vitality left, there is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn, and the heat and smell of life. But when the motor of a tractor stops, it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a

Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy that

the wonder goes out of work, so efficient that the wonder goes out of land and the working of it, and with the wonder the d...

For nitrates are not the land, nor phosphates and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt nor water nor calcium. He is all these, but he is much more, much more; and the land is so much more than its analysis. That man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the

to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself. When the corrugated iron doors are shut, he goes home, and his home is not the

66 is the path of a people in flight, refugees from dust and shrinking land, from the thunder of tractors and shrinking ownership, from the desert’s slow northward invasion, from the twisting winds that howl up out of Texas, from the floods that bring no richness to the land and steal what little richness is there. From all of these the people are in flight, and they come into 66 from the tributary side roads, from the wagon tracks and the rutted country roads. 66 is the mother road, the road of flight.

The people in flight from the terror behind—strange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever.

Ever see one a them Gila monsters take hold, mister? Grabs hold, an’ you chop him in two an’ his head hangs on. Chop him at the neck an’ his head hangs on. Got to take a screw-driver an’ pry his head apart to git him loose. An’ while he’s layin’ there, poison is drippin’ an’ drippin’ into the hole he’s made with his teeth.” He