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Although the Baudelaire orphans, of course, sadly knew that sometimes the fire engines arrived too late to save people’s lives, a fire alarm was still a good invention,
But Violet Baudelaire was a wunderkind, a German word which here means “someone who is able to quickly climb masts on boats being attacked by leeches,” and soon she was on the top of the swaying mast of the boat.
Violet looked around at Aunt Josephine and her terrified siblings and felt hope leak out of her heart as quickly as water was leaking into the boat.
When her father was a boy, he’d had a dreadful cousin who liked to burn ants, starting a fire by focusing the light of the sun with her magnifying glass. Burning ants, of course, is an abhorrent hobby—the word “abhorrent” here means “what Count Olaf used to do when he was about your age”—but
she was so afraid of everything that she made it impossible to really enjoy anything at all. And the worst of it was, Aunt Josephine’s fear had made her a bad guardian.
And the Baudelaires could not go home knowing the moral of the story, for the simple reason that they could not go home at all.
To have each other in the midst of their unfortunate lives felt like having a sailboat in the middle of a hurricane, and to the Baudelaire orphans this felt very fortunate indeed.

