I didn’t know what it was about these pictures that made such a great impression on me. However, it was striking that they were all painted before the 1900s, within the artistic paradigm that always retained some reference to visible reality. Thus, there was always a certain objectivity to them, by which I mean a distance between reality and the portrayal of reality, and it was doubtless in this interlying space where it ‘happened’, where it appeared, whatever it was I saw, when the world seemed to step forward from the world.
