it was the place and the people they represented. For a long time the Baudelaires had felt as if their lives were a damaged Frisbee, tossed from person to person and from place to place without ever really being appreciated or fitting in. But as they zipped up their uniforms and smoothed out the portraits of Herman Melville, the children felt as if the Frisbee of their lives just might be repaired. In wearing the uniform of the Queequeg, the siblings felt a part of something—not a family, exactly, but a gathering
