There is so much communication and understanding beneath and apart from the substantiations of language spoken out or written down that language is almost no more than a compression, or elaboration—an exactitude, declared emphasis, emotion-in-syntax—not at all essential to the message. And therefore, as an elegance, as something almost superfluous, it is likely (because it is free to be so used) to be carefully shaped, to take risks, to begin and even prolong adventures that may turn out poorly after all—and all in the cause of the crisp flight and the buzzing bliss of the words, as well as
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