Daniel Dao

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Then, as now, a Northern policeman, black or white, a white co-worker, or a black one, the colorless walls of precinct basements, the colorless handcuffs, the colorless future, are quite enough to introduce into one’s life the stunning realization that that life can be ended at any moment. Furthermore, this terror can produce its own antidote: an overwhelming pride and rage, so that, whether or not one is ready to die, one gives every appearance of being willing to die.
No Name in the Street
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