No Name in the Street

by James Baldwin

The greatest difficulty is to accept the fact that the man is dead. It is one thing to know that a friend is dead and another thing to accept, within oneself, that unanswering silence: that not many of us are able to accept the reality of death is both an obvious and a labyrynthine statement. The imagination, then, which has been assigned the job of recreating and interpreting a life one witnessed and loved simply kicks like a stalled motor, refuses to make contact, and will not get the vehicle to move. One no longer knows if one ever really knew the person, but, what’s worse, that no longer makes any difference: one’s stuck with whatever it is one thought one knew, with whatever filtered through the complex screen of one’s limitations. That’s one’s legacy, that’s all there is: and now only that work which is love and that love which is work will allow one to come anywhere near obeying the dictum laid down by the great Ray Charles, and—tell the truth.