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Edwin is capable of action but prone to inertia. He likes sitting by his window. There’s a constant movement of people and ships. He doesn’t want to leave, so he stays.
He makes a careful inventory of his thoughts and decides that he isn’t unhappy. He just desires no further movement, for the time being. If there’s pleasure in action, there’s peace in stillness.
Sometimes order can be relentless.
“Look,” Olive said, “the thing is, it’s possible to be grateful for extraordinary circumstances and simultaneously long to be with the people you love.”
Everything offended Jessica, which is inevitable when you move through the world in search of offense.
There’s a low-level, specific pain in having to accept that putting up with you requires a certain generosity of spirit in your loved ones.
Pandemics don’t approach like wars, with the distant thud of artillery growing louder every day and flashes of bombs on the horizon. They arrive in retrospect, essentially. It’s disorienting. The pandemic is far away and then it’s all around you, with seemingly no intermediate step.
(We were still thinking in terms of getting work done. The most shocking thing in retrospect was the degree to which all of us completely missed the point.)
think, as a species, we have a desire to believe that we’re living at the climax of the story. It’s a kind of narcissism. We want to believe that we’re uniquely important, that we’re living at the end of history, that now, after all these millennia of false alarms, now is finally the worst that it’s ever been, that finally we have reached the end of the world.” In
“Because we might reasonably think of the end of the world,” Olive said, “as a continuous and never-ending process.”
“My personal belief is that we turn to postapocalyptic fiction not because we’re drawn to disaster, per se, but because we’re drawn to what we imagine might come next. We long secretly for a world with less technology in it.”
This is the strange lesson of living in a pandemic: life can be tranquil in the face of death.
He was struck by an understanding of what his life could be from this moment: he could live here quietly, and care for the garden, and that might eventually be enough.
if definitive proof emerges that we’re living in a simulation, the correct response to that news will be So what. A life lived in a simulation is still a life.

