Lars Kilevold

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In the opening pages or scenes, we should see how the major characters interact with other characters and how they interact with the world itself. And we ought to discover what it is that the protagonist wants out of his life. This may change once the inciting incident (to be covered shortly) is reached. But at the top the protagonist will need to have some sort of “want,” which may or may not become his ultimate objective.
Beating Broadway: How to Create Stories for Musicals That Get Standing Ovations
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