Embassytown

by China Miéville

There were two main ways the few Ariekei who could lie a little could lie. One was to go slow. They would try to conceive the untrue clause—near-impossible, their minds reacting allergically to such a counterfactual even unspoken, conceived without signification. Having prepared it mentally, however successfully or un-, they would pretend-forget it to themselves. Speak each of its constituent words at a certain speed, at a beat, separated, apart enough in the mind of a speaker that each was a distinct concept, utterable with and as its own meaning; but just sufficiently fast and rhythmic that to listeners, they accreted into a ponderous but comprehensible, and untrue, sentence. The liars I had thus far seen with any success were slow-liars. There was reputed to be another technique. It was the more base and vivid, and by far harder. This was for the speaker to collapse, in their mind, even individual word-meanings, and simply to brute-utter all necessary sounds. To force out a statement. This was quick-lying: the spitting out of a tumble of noises before the untruth of their totality stole a speaker’s ability to think them.