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Kindle Notes & Highlights
by
Tom Wright
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January 30 - March 20, 2024
Paul’s question, ‘Who is going to condemn?’ is answered implicitly, No-one – because there is Jesus, standing at the father’s right hand, saying ‘Father, have mercy on this, my younger sister, my younger brother.’ (In Psalm 110 and Daniel 7, and elsewhere in the New Testament, he is sitting at God’s right hand. But, as in Stephen’s vision in Acts 7.55–6, he is here standing to intercede.) This picture of father and son is the reality that shows up the caricature in those mediaeval paintings where, tragically, you have a stern and angry father and a rather wet and feeble-looking son. No: as in
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As I said in the previous chapter, the final five verses don’t have many tell-tale connecting words. The alla at the start of verse 37 indicates that, contrary to what verse 35 might have implied, these troubles are not merely unpleasant things we have to get through, but actually the setting for a greater victory than we could have imagined – just as the Messiah’s cross was not simply a ghastly event to be bravely borne, but actually his royal victory over all the powers. Yes, says verse 36, this is a deeply unpleasant place to be, but – alla – in all these things we are more than conquerors.
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Verses 31–9, in fact, draw together the whole scripture, all human experience, the whole hostile world, and the whole victorious gospel. The point is that none of these things – whether events, as in 35, or forces and powers as in 38 and 39 – can separate ‘us’ from God’s Messiah-shaped love. Again, the ‘us’ here is those ‘in the Messiah’, the people in whose hearts the spirit witnesses that they are God’s children, and groans with their pain at the world’s dark depths. And Paul at last makes it explicit – for the first time since 5.6–10 – that this is all about love. I suspect we don’t
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many in Paul’s day believed that the city of Rome had a secret name. Nobody was supposed to utter it, in case the city, its secret being revealed, might be exposed to hostile attack. That may sound like something out of ‘Harry Potter’; but actually quite a bit of Harry Potter, not least the spells, is rooted in the classical world. There is good evidence that many not only assumed that Rome had a secret name but believed that the name in question was in fact ‘Rome’ backwards. Rome in Latin is Roma: so, spelled backwards, it is Amor. And Amor is the Latin for ‘love’. You see, the Romans
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So what exactly is this ‘love’ of which Paul speaks so passionately? People used to say that the word agapē referred to a special ‘Christian’ kind of love. Not so. The Septuagint uses the word for everything from God’s love for Israel to Amnon’s destructive lust for Tamar.3 So why do the early Christians focus on agapē in the way they do, picking up the theme (rather than the linguistic phenomenon) of the Hebrew hesed in particular (‘mercy’, ‘loving kindness’, ‘generosity’ and so on)? They – John and Paul in particular – use the word to indicate the biblical theme of gratuitous divine love,
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The Greek machaira, translated here as ‘sword’, refers to the short sword used for executions rather than the longer sword (the xiphos) used in military operations. Facing the ‘sword’ in this case means being killed, not randomly in battle but deliberately by the official executioner.
We perhaps need to stress, as we draw together the threads of Paul’s argument, that he is persuaded of all this, and we must be too, because of the resurrection of the crucified son of God. Some have tried to make everything depend on the cross. This was partly because an older liberalism didn’t want to have the resurrection in the picture. It was also, I fear, because some preachers and teachers had a kind of tunnel-vision focus on a particular doctrine of atonement, for which the resurrection sometimes seemed barely necessary. But, as we’ve seen, it is the resurrection which declares that
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