The properties of our romantic are to understand everything, to see everything, and to see often incomparably more clearly than our very most positive minds do; not to be reconciled with anyone or anything, but at the same time not to spurn anything; to get around everything, to yield to everything, to be politic with everyone; never to lose sight of the useful, practical goal (some nice little government apartment, a little pension, a little decoration or two) – to keep an eye on this goal through all enthusiasms and little volumes of lyrical verses, and at the same time also to preserve “the
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