As E. H. W. Meyerstein pointed out, "Macpherson can, without extravagance, be regarded as the main originator (after the translators of the Authorized Version) of what's known as 'free verse."[13] Macpherson's work certainly served to stimulate prosodic experimentation during the next half century; it is certainly no coincidence that two of the boldest innovators, Blake and Coleridge, were admirers of Macpherson's work.
