Ru: A Novel

by Kim Thúy

We children could follow them from floor to floor, from room to room. They sealed chests of drawers, wardrobes, dressing tables, safes. They even sealed the big chests of drawers filled with the brassieres of my grandmother and her six daughters, without describing the contents. It seemed to me then that the young inspector was embarrassed at the thought of all those round-breasted girls in the living room, dressed in fine lace imported from Paris. I also thought that he was leaving the paper blank, with no description of the wardrobe’s contents, because he was too overwhelmed by desire to write without trembling. But I was wrong: he had no idea what brassieres were for. In his opinion they looked like his mother’s coffee filters, made of cloth sewn around a metal ring, the twisted end of which served as a handle. At the foot of the Long Biên Bridge that crosses the Red River in Hanoi, every night his mother would fill her coffee filter then dip it into her aluminum coffee pot to make a few cups that she’d sell to passersby. In the winter, she placed glasses containing barely three sips into a bowl filled with hot water to keep them warm during conversations between the men sitting on benches raised just a bit above the ground. Her customers spotted her by the flame of her tiny oil lamp sitting on the tiny work table, next to three cigarettes displayed on a plate. Every morning, the young inspector, still a child, woke up with the oft-mended brown cloth coffee filter, some...

Very quickly, though, the music that had accorded them a kind of freedom found itself in a fire, on the rooftop terrace of the house. They had received an order to burn the books, songs, films—everything that betrayed the image of those men and women with muscular arms holding aloft their pitchforks, their hammers and their flag, red with a yellow star. Very quickly, they filled the sky with smoke, once more.

A Vietnamese saying has it that “Only those with long hair are afraid, for no one can pull the hair of those who have none.” And so I try as much as possible to acquire only those things that don’t extend beyond the limits of my body.

The gentleman seated next to my uncle in the hold had no luggage, not even a small bag with warm clothes like us. He had on everything he owned. Swimming trunks, shorts, pants, T-shirt, shirt and sweater, and the rest was in his orifices: diamonds embedded in his molars, gold on his teeth and American dollars stuffed in his anus. Once we were at sea, we saw women open their sanitary napkins to take out the American dollars impeccably folded lengthwise in three. As for me, I had an acrylic bracelet, pink like the gums of the dental plate it had been made from, filled with diamonds. My parents had also put diamonds in the collars of my brothers’ shirts.

That American dream had given confidence to my voice, determination to my actions, precision to my desires, speed to my gait and strength to my gaze. That American dream made me believe I could have everything, that I could go around in a chauffeur-driven car while estimating the weight of the squash being carried on a rusty bicycle by a woman with eyes blurred by sweat; that I could dance to the same rhythm as the girls who swayed their hips at the bar to dazzle men whose thick billfolds were swollen with American dollars; that I could live in the grand villa of an expatriate and accompany barefoot children to their school that sat right on the sidewalk, where two streets intersected. But the young waiter reminded me that I couldn’t have everything, that I no longer had the right to declare I was Vietnamese because I no longer had their fragility, their uncertainty, their fears. And he was right to remind me.

Most of those children of GIs became orphans, homeless, ostracized not only because of their mothers’ profession but also because of their fathers’. They were the hidden side of the war. Thirty years after the last GI had left, the United States went back to Vietnam in place of their soldiers to rehabilitate those damaged children. The government granted them a whole new identity to erase the one that had been tarnished. A number of those children now had, for the first time, an address, a residence, a full life. Some, though, were unable to adapt to such wealth.

The most cinematic image was that of the ninth-floor neighbour, an American in his thirties. One night he came home from work to find his apartment covered with feathers and moss. His pants had been cut in two lengthwise, his sofas ripped open, his tables lacerated by a knife, his curtains torn to shreds. All this damage was the work of the mistress he’d dismissed after three months of service. He shouldn’t have exceeded the limit of one month, because the hope of a great love grew in her mind every day, even though she continued to be paid every Friday for her loving. To avoid a disappointment on that scale, perhaps he shouldn’t have invited her to all those meals where she smiled without understanding anything, where she was a decoration for the table, where she swallowed vichyssoise while intensely craving a salad of green papaya with bird chilies that tore your mouth apart, that burned your lips, set fire to your heart.

When I sit in that smoky lounge, I forget that I’m one of the Asians who lack the dehydrogenase enzyme for metabolizing alcohol, I forget that I’m marked with a blue spot on my backside, like the Inuit, like my sons, like all those with Asian blood. I forget the mongoloid spot that reveals the genetic memory because it vanished during the early years of childhood, and my emotional memory has been lost, dissolving, snarling with time.

Absolutely no one will know the true story of the pink bracelet once the acrylic has decomposed into dust, once the years have accumulated in the thousands, in hundreds of strata, because after only thirty years I already recognize our old selves only through fragments, through scars, through glimmers of light.