When Marie-Laure comes through the front door with the bread, when he’s opening the tiny scroll in his fingers, lowering his mouth to the microphone, he feels unshakable; he feels alive. 56778. 21. 4567. 1094. 467813. Then the time and frequency for the next broadcast. They have been at it for several months, new slips of paper arriving inside a loaf of bread every few days, and lately Etienne plays music. Always at night and never more than a shard of song: sixty or ninety seconds at the most. Debussy or Ravel or Massenet or Charpentier. He sets the microphone in the bell of his electrophone,
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