Marius Călin Chereches

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Thus, he prided himself on rematerializing the abstract, and reinserting into the human body the work of art that had come out through an artist’s desire to externalize his inner emotional state. Here at the Skewed Window, dining was less culinary than philosophical, and the act of eating was deemed to be guided not by the primordial urge to fill your stomach or suppress your hunger but by a sublime dance with catharsis. After
The Bastard of Istanbul
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